![]() where they shared the bill with political satirist Mark Russell. Īfter working with Byrd, Deppenschmidt joined the Tee Carson Trio (1963–64), performing at the Marquis Lounge at the Shoreham Hotel in D.C. ![]() "Desafinado", the hit single from the album, was inducted into the Grammy Hall of Fame in 2000 and the album was inducted into the Grammy Hall of Fame in 2010. It is the only jazz album to reach number one on both the jazz and pop Billboard charts and it remained high on the charts for 70 weeks. Jazz Samba was recorded live in less than three hours on February 13, 1962, and started a bossa nova craze both nationally and internationally. It was his idea to record an album combining jazz and bossa nova with Stan Getz. While in Brazil, Deppenschmidt spent his free time with local musicians, teaching them American jazz and learning bossa nova from them. This three-month cultural exchange included eighteen countries. Starting in February 1961, the Charlie Byrd Trio (Charlie Byrd, guitar, Keter Betts, bass, and Buddy Deppenschmidt, drums) visited South America, Central America, and Mexico on a goodwill tour sponsored by the U.S. He played with the trio at the Showboat Lounge in Washington, D.C. Two nights later, Charlie Byrd came into the Jolly Roger, the jazz club where Deppenschmidt was playing, and offered him the job as drummer with his trio. When the Newton Thomas Trio played the Virginia Beach Jazz Festival, it received rave reviews on a bill that included the Dave Brubeck Quartet and the Charlie Byrd Trio. ![]() The trio toured with Butterfield throughout the northeast and midwest (1958–59). Returning to Richmond, he played with local bands and became the drummer for the Newton Thomas Trio (1954–59) which was also the rhythm section for the Billy Butterfield Quintet. Self-taught, he started playing drums professionally while in his teens and then went on the road with Ronnie Bartley's Orchestra, a territory band which travelled in the western U.S. When he was four, Deppenschmidt and his mother moved from Philadelphia to Richmond, Virginia. Baden Powell – Live in Hamburg (rec.William Henry Deppenschmidt (Febru– March 20, 2021) was an American jazz drummer.ĭeppenschmidt's father, a saxophone player, led an orchestra under the name Buddy Williams after playing with and arranging for Paul Whiteman, Jimmy and Tommy Dorsey, and Glenn Miller.Helen Merrill – Bossa Nova in Tokyo (1967).Sergio Mendes & Brasil '66 – Equinox (1967).Dick Hyman – Brasilian Impressions (1967).1966, released 1984) and Ella and Duke at the Cote D'Azur (1967) Ella Fitzgerald – The Stockholm Concert, 1966 (rec.Wanda De Sah (Wanda Sá) - Softly! (1965).The Sergio Mendes Trio – The Swinger from Rio (1965) with Antônio Carlos Jobim, Hubert Laws, Art Farmer & Phil Woods.Charlie Byrd – Brazilian Byrd (1965) and My Inspiration: Music of Brazil (1999).Stan Getz & João Gilberto – Getz/Gilberto (1964).Walter Wanderley – Samba No Esquema De Walter Wanderley (1963).Elza Soares – "Só Danço Samba" single (1963).Os Cariocas – A Bossa Dos Cariocas (1963).Roberto Menescal E Seu Conjunto – A Bossa Nova (1963).Antônio Carlos Jobim – The Composer of Desafinado, Plays (1963) and Antonio Brasileiro (1994).Stan Getz & Luiz Bonfá – Jazz Samba Encore! (1963) as "Só Danço Samba (I Only Dance Samba)".Herb Ellis & Charlie Byrd – Guitar/Guitar (1963).João Donato – A Bossa Muito Moderna (1963).Elza Laranjeira – "Só Danço Samba" single (October 1962).Ī few months later, Gilberto and Os Cariocas performed the song again in the Italian film, Copacabana Palace (1962), in which they are briefly shown singing together.Įlza Laranjeira released the first recording of "Só danço samba" in October 1962. The song was first performed by João Gilberto and Os Cariocas in August 1962 at the Au Bon Gourmet restaurant in Copacabana, Rio de Janeiro, at what Castro calls "the bossa nova show to end all bossa nova shows", as it featured Jobim, Gilberto, Vinícius de Moraes and Os Cariocas on stage together for the first and last time. So much so, in fact, that on hearing 'Só danço samba' for the first time, João Gilberto asked him, 'What's this Tomzinho? A boogie-woogie?'" "Jobim, who had never danced in his life, had just finished writing 'Só danço samba' with Vinicius, but it was without much conviction. In Bossa Nova: The Story of the Brazilian Music That Seduced the World, author Ruy Castro suggests that the song was part of a failed movement to invent a bossa nova dance. On occasion, it has also been known as "Jazz Samba" and "I Only Dance Samba", an English translation of the original Portuguese title. English lyrics were later written by Norman Gimbel. " Só Danço Samba" (aka " Jazz 'n' Samba") is a bossa nova song composed in 1962 by Antônio Carlos Jobim, with lyrics by Vinicius de Moraes.
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